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  Music in new york

Music in New York Music in historycal facts In the first 100 years after the establishment of new york no music was popular Maybe Church service were with music 1742 the first Organ was in NY 21.01.1736 was the first publicly concert songs were with Harpsichord, Flute, Violin 1750 the first Opera in the Nassau Street 1753 the first Choral in the Trinity Church 1825 italian and german Operas in Original for example Rossini and Mozart Musical in the middle of the 19 century H.F. Gilbert und Sullivans Operettas on the Broadway very popular since 1890 „Musical Comedy“ was more popular in the theatres on the broadway came a more standardizes musical songs of these Dramatic work became hits in the USA works from european Composers ,for example VERMON DUKE were very popular in the early 20 century these composers made the big part of the entertainment music durch Zusammenarbeit von R.Rogers und Osacr Hammerskin II entstand nach dem zweiten Weltkrieg eine Reihe von Musicals for example Oklahoma, The King and other after 1950 the musicals became a denser concentration by arising COUNTRYMUSIC, RAP, Rock'n'Roll determined musical no longer the American music scene Musicals were no longer popular,cause of the cinema and the tv Musicals became more expensive Some rescued them selves onto the Broadway Since 1980 american Musicals were displaced by british ones  Jazz In the 20th century most of the black population lived in Harlem Black Artists and composers were used increase the musical productions Since 1925 center for Jazz Music Harry Pac founded the BLACK SWAM CORPORATION in 1921 First afro-american Music-Label There were white Jazz-Musicians,too These were most in Radio or Music-Studios Activists in the white scene were JimmyyDorsey,Dummy Godmun,Glen Miller Most popular black Orchestra was the band of the pianoplayer Fletcher henderson, these brought 1924 LOUIS ARMSTRONG to NY Black artists played mostly in the Colton Clib Colton Club wanted to bring an expressure of the black exotic culture to the guests Black peoples as guest were reluctantly seen 1930 was a meeting of these artists 1930 there was Splitting of the Jazzscene one part were bigbands in big clubs, the other part were little artists playing in little nightclubs 1950 there was a cabarett law Licenses for Live music were assigned only under certain conditions Now only little bands with Retort bass and piano were playing Rap and pop-musc  Songwriter such as Doc Pomus, Jerry Lieber and so on created hits, those were important.

for the Charts of the Popmusik These animated folkmusic to new success RAP resulted from that meet one another several ethnical groups it was inventet at streetparties in the south bronx the big part of the afroamerican and hispanic population and immigrants from the carribean islands lived there rap is from the technic of the rapping diskjokeys put records with funk and discomusic on and played only the danceable rhytmic parts ab they moved the turntable neel from one part of the record to antoher on or they switched fromm one turntable to a second one these and other ones invented the rhytmic Speech singing with heavy social critic lyrics 1981 the Sugarhill Gang (a NY-Rapper-Group) brought their first record on the market then more and more records were on the market, the most popular one wa GRANDMASTER FLASH (jetzt das Tape an) NY is untill now the centre of RAP on tha Estcoast

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